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July 21, 2006
Monster House
(out of four)
Anybody who's ever been 10 years old can tell you how the most ominous house on the block takes on a certain notoriety among the neighborhood kids. Even though no one's ever seen the old guy who lives behind the sagging porch and cobwebbed windows, rumor has it he murdered his wife and eats little kids.
Most of us have forgotten those years, the way our pace would quicken when crossing in front of said house, lest whatever grim force lurking within has a chance to snatch us from the sidewalk and gobble us up for dinner. But not the makers of Monster House. They know just the dynamic that drives boys' imaginations wild, and they push it -- a little too far maybe, but the stunt works until just about the point when the movie must commit to whether there's really anything out of the ordinary about old man Nebbercracker's place.
As for Nebbercracker himself (Steve Buscemi), he's a crotchety old coot who terrorizes anyone who makes the mistake of trespassing on his perfectly manicured lawn (the only thing respectable about his dilapidated lot). Monster House might have been more effective if it had kept the old guy hidden until the very last minute, the way Harper Lee did with Boo Radley in To Kill a Mockingbird, but there's a reason audiences never have an opportunity to speculate about what's lurking behind those half-drawn shades.
That's because the house itself is the menace here. No sooner has Mr. Nebbercracker made his entrance than he keels over dead (or something) trying to scare our breathlessly excitable boy heroes, Chowder (Sam Lerner) and DJ (Mitchell Musso). These two are like Goonies-in-training, and their resemblance to ''Chunk'' and the Sean Astin character is no coincidence. Spielberg is the executive producer on both movies, while '80s superstar Robert Zemeckis lends director Gil Kenan the next iteration of his Polar Express technology to help craft this endearingly retro-styled homage.
With Mr. Nebbercracker out of the way and DJ's parents gone for Halloween (leaving Maggie Gyllenhaal to play the not entirely dependable Martha Plimpton-style baby-sitter), the kids have the perfect opportunity to settle the mystery of the house across the street. As trick-or-treat night approaches, the house starts openly attacking the neighborhood -- which is all well and good as long as it stays grounded firmly in place, trying to lure in unsuspecting passersby like the ultimate Venus fly trap. But once the demented domicile goes stomping down the streets after its prey, the movie becomes a different monster altogether.
Ultimately, what happens with the house is not only entertaining, but a marvel of what animation can accomplish in this day and age -- with a style that remains beautifully impressionistic despite its motion-capture roots (did I mention how awesome the movie looks in 3-D?). Yet it's the movie's foundation that proves most satisfying, grounding the fantasy in the mannerisms and anxieties of everyday kids. Whether you're just turning 10 or feel as though decades have gone by since that age, this clever, kooky animated movie taps right into a mindset when nothing could be braver than sauntering up to the creepiest house on the block and ringing the doorbell.
[as featured in The Miami Herald]
Posted by Peter Debruge on
Comments
We took our four children, ages 12, 11, 9, and 5. We were appalled at the vulgarity and sexual innuendos. It was crude and never should have received a PG rating. Drunken entertainment in a children's movie?!!! What were you thinking? Resorting to passing off young adult entertainment to children is inexcusable. Do you care nothing for the degredation of our culture? Get a backbone and stand up straight next time. I will tell anyone I know, including adults, to pass this one up because what you have done is shameful.
Posted by: Tracy Ann Scheffler on